The range encompassed by “Driving While Black,” however, is much broader than that, beginning with the way slaves were carefully monitored, as well as the impact of the Fugitive Slave Act of 1850, which allowed slave owners to seek the return of those who escaped to the North, a significant contributor to the tensions that led to the Civil War.
The advent of the automobile brought new possibilities, but also highlighted inequality at virtually every turn. While whites “discovered the joys of the open road,” as journalist Alvin Hall says — with advertising jingles like “See the USA in your Chevrolet” — Blacks saw cars as the means to achieving a better life, while using what they drove as a symbol of their status, especially to folks back home when they visited.
The introduction of interstate highways, similarly, disproportionately impacted Black neighborhoods, devastating many as their construction was designed to plow through them.
Directed by historian Gretchen Sorin and filmmaker Ric Burns, “Driving While Black” conveys the fear associated with having to adhere to “invisible rules” of where Blacks could go and stay, a dynamic that has evolved into the era of modern policing.
As historian Christopher West emotionally observes, the true meaning of the term “Driving while Black” is really the same as “Driving while afraid,” asking, “If I have to fear the state … am I member of this society? Is my son a member of this society?”
“Driving While Black” thus becomes an expansive examination of the African-American experience, then and now, with a final portion devoted to policing that not only drives the point home but directly connects the past to the present.
“Americans love to celebrate their history, but they don’t like to look at it very closely,” historian Craig Steven Wilder says. That’s a shortcoming that “Driving While Black,” for those who take the time to watch it, meticulously works to correct.
“Driving While Black” premieres Oct. 13 at 9 p.m. on PBS.
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