It’s tough being a social conservative these days, what with all the trolls about.
Some right-wingers were in a lather last week after Lizzo “disrespected” James Madison’s flute. Or, that’s what they would have you think.
Jenna Ellis, one of Trump’s former lawyers, said Lizzo’s performance was a “desecration, purposefully, of America’s history.” Matt Walsh tweeted that “Lizzo playing James Madison’s flute was a form of racial retribution, according to the woke Left. And I actually have no doubt that this is part of the reason why the Library of Congress facilitated this spectacle.” Hitting the same notes, Ben Shapiro decried the “vulgarization of American history.”
Well. Let’s consider what actually took place. Aware that Lizzo would be in D.C. for a big concert in late September, Librarian of Congress Carla Hayden sent a twitter invitation to the Grammy-winning performer:
“The @librarycongress has the largest flute collection in the world with more than 1,800. It incl Pres James Madison’s 1813 crystal flute. @lizzo we would love for you to come see it and even play a couple when you are in DC next week. Like your song they are ‘Good as hell.’”
Lizzo, an accomplished flutist, responded with enthusiasm and visited the Library of Congress, dressed in street clothes, where she tried out some of the historic instruments, including a crystal flute that once belonged to James Madison. There are samples of her playing on YouTube. Outstanding, right?
I wonder how many of the “conservatives” lambasting her would be able to name the excerpts she performed from Paganini’s “Carnival of Venice” and Poulenc’s flute sonata? Or whether they paused to admire her musicianship? As a classical music site noted, it wasn’t easy to play the historical instrument:
“Normally she plays the modern Boehm concert flute, cylindrical bore, pitched in C with the keynote played with seven fingers down and extensive keywork for the accidentals. The Laurent crystal flute is a pre-Boehm simple system instrument, pitched in D, tapered bore, keynote played with six fingers down, only a few keys. Their playing characteristics are therefore markedly different, to the point where they are not at all interchangeable.”
What really set off the cons though was what happened at the Capital One Arena the following night, when representatives of the Library of Congress brought Madison’s flute onstage. Lizzo played a few notes and then executed a little winking twerk. Now, I am no fan of this move, but I must say that Lizzo’s humorous romp was utterly tame compared with, say, Miley Cyrus’ version at the 2013 Video Music Awards.
But here’s the part the conservatives omitted from their accounts: Lizzo told her thousands of fans that the flute was:
“a gift to James Madison from a French crystal flute designer to celebrate his second term … There was a fire while he was away and the only two things that were saved were a portrait of George Washington (big ovation) and this crystal flute right here. (Another big ovation.) I am the first person to ever play it, so y’all about to hear what it sounds like for the first time. It’s crystal. It’s like playing out of a wine glass.”
After playing a few notes, she exulted that “History is freaking cool, you guys!”
Yep, and so is she. I don’t care for her costume choices, or the twerk move, but again, it was really a winking allusion to a twerk, not the lewd kind. I love that she was so reverent toward the instrument in her hands and the history it represented.
And frankly, it’s especially gratifying to see a young African American artist embrace this history as her own, because there are some Americans who don’t think it belongs to her. You can find progressives who seem to prefer that African Americans adopt a pose of permanent alienation from America due to our history of slavery and racism, and there are “conservatives” who yearn to exclude African Americans from “our history” (e.g., the idiots who object to Black characters in a fantasy drama set in a mythical Middle Ages).
The greatness of American history belongs to all of us, just as its sins are borne by all of us. The musical “Hamilton,” by casting all of the Founders with minority actors and weaving rap into the score, was a particularly unifying celebration of America. Lizzo’s performance was in that spirit, and she has earned the respect of true conservatives.
Mona Charen is policy editor of The Bulwark and host of the “Beg to Differ” podcast. Her most recent book is “Sex Matters: How Modern Feminism Lost Touch with Science, Love, and Common Sense.”
Credit: Source link