One of the changes is getting practice dolls with a wider range of textured hair, said Paul Mitchell brand ambassador John Mosley, a Black barber in Dallas.
“I feel their pain, and I understand where they’re coming from,” he said of dissatisfied students, including several of color who took to KSNV-TV in Las Vegas to object.
Brittany Johnson is the senior content manager for Mayvenn, a company that connects Black hairstylists and clients. She earned her cosmetology license in California in 2010 after attending beauty school in San Jose.
“All the mannequins had names. The ones that I can remember were Jessica, Beverly and Mia. The one male mannequin was named Jake. The only Black mannequin there, they labeled her Overly Curly. It was the only one there that didn’t have a name,” she said.
When it came time to work on live clients, those of color were sent to the Black students, Johnson said.
“On one hand, I wanted to service these clients because I wanted them to feel comfortable and not have someone who was going to struggle with their hair texture, but on the other hand, I’m like, `Well all these other students should learn, too,’” she said.
In the Paul Mitchell curriculum, Mosley said, hair is broken down as “straight, wavy, curly and extra curly,” along with “fine, medium and coarse.” Extra curly, he said, can cover a broad range of textures and curl patterns.
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