The exhibition is expansive, including approximately 160 objects dating from the early nineteenth century through the present. While painting is at its core, drawings, sketchbooks and journals, prints, photographs, furniture, clothing and textiles, video, and other objects (scientific instruments and mediumistic/occult paraphernalia, including Ouija boards and planchettes) provide a context for doubters to understand ideas that, at first glance, are incomprehensible. Cozzolino explains, “The exhibition delves into how these works relate to both personal and collective narratives of the haunted, the spiritual, and the cosmic.”
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